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One afternoon,
the sparkling sunshine carefully slips into the house.
Interwoven patterns are dancing across the floor, whispering to the newcomers;
“Welcome to Wergelandshaugen”
I travel from dawn to dusk #1
2018
Metallic film
Photo by Eunju Kang
2018
Metallic film
Photo by Eunju Kang
I travel from dawn to dusk is a reaction to the architectural qualities of Wergelandshaugen in Eidsvoll, Norway.
I reinterpreted the original geometric elements in the woodwork of the building and displayed them on the existing windows. My hand-cut ornaments in metallic film bring attention to artefacts, conditions and moments that would otherwise be left unnoticed.The motif on the windows casts sunlight and shadow on the walls and floor. Time and weather reflects a change in character as the sunlight fades in and out. The warping of the perspective on the surfaces gives the viewers an ever shifting experience of the space over time.
I travel from dawn to dusk #1 (2018) was a temporary installation exhibited at Wergelandshaugen in 2018. The installation took place in the central hallway of the building, where the original ornaments in wood relief paneling function as a unique backdrop for the work.
I travel from dawn to dusk #2 (2020) has been housed by Wergelandshaugen in one of the renovated bathrooms. The artwork adapts to the functional need for increased privacy in the room.
I reinterpreted the original geometric elements in the woodwork of the building and displayed them on the existing windows. My hand-cut ornaments in metallic film bring attention to artefacts, conditions and moments that would otherwise be left unnoticed.The motif on the windows casts sunlight and shadow on the walls and floor. Time and weather reflects a change in character as the sunlight fades in and out. The warping of the perspective on the surfaces gives the viewers an ever shifting experience of the space over time.
I travel from dawn to dusk #1 (2018) was a temporary installation exhibited at Wergelandshaugen in 2018. The installation took place in the central hallway of the building, where the original ornaments in wood relief paneling function as a unique backdrop for the work.
I travel from dawn to dusk #2 (2020) has been housed by Wergelandshaugen in one of the renovated bathrooms. The artwork adapts to the functional need for increased privacy in the room.
